All of the major figures are sketched with an attribute or two, and then defined by their actions.
What one misses in the thrills of these epic splendors is much depth in the characters. Peter Jackson, like some of the great silent directors, is unafraid to use his entire screen, to present images of wide scope and great complexity. When Aragorn and his comrades launch an attack down a narrow fortress bridge, we know that the figures toppling to their doom are computer-generated, along with everything else on the screen, and yet the impact of the action is undeniable. There are long stretches of "The Two Towers" in which we are looking at mostly animation on the screen. Aragorn joins bravely in the fray, but the real heroes are the computer effects, which create the castle, landscape, armies and most of the action. To compress the labyrinthine story into a sentence or two, the enemy is Saruman ( Christopher Lee), who commands a vast army of Uruk-Hai warriors against the fortress of Theoden ( Bernard Hill).
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The film opens with a brief reprise of the great battle between Gandalf ( Ian McKellen) and Balrog, the monster made of fire and smoke, and is faithful to the ancient tradition of movie serials by showing us that victory is snatched from certain death, as Gandalf extinguishes the creature and becomes in the process Gandalf the White. I would have guessed that a walking, talking tree would look silly and break the spell of the movie, but no, there is a certain majesty in this mossy old creature. The film introduces another computer-generated character, Treebeard, a member of the most ancient race in Middle-Earth, a tree that walks and talks and takes a very long time to make up its mind, explaining to Merry and Pippin that slowness is a virtue. His body language is a choreography of ingratiation and distortion. The Gollum was long in possession of the Ring, now entrusted to Frodo, and misses it ("my precious") most painfully but he has a split personality and (in between spells when his dark side takes over) serves as a guide and companion for Frodo ( Elijah Wood) and Sam ( Sean Astin).
It also gives us, in a character named the Gollum, one of the most engaging and convincing CGI creatures I've seen. "The Two Towers" is a rousing adventure, a skillful marriage of special effects and computer animation, and it contains sequences of breathtaking beauty. I complained in my review of the first film that the hobbits had been short-changed, but with this second film I must accept that as a given, and go on from there. "The Two Towers" is one of the most spectacular swashbucklers ever made, and, given current audience tastes in violence, may well be more popular than the first installment, "The Fellowship of the Ring." It is not faithful to the spirit of Tolkien and misplaces much of the charm and whimsy of the books, but it stands on its own as a visionary thriller. The task of the critic is to decide whether this shift damages the movie. The last third of the movie is dominated by an epic battle scene that would no doubt startle the gentle medievalist J.R.R. The star is now clearly Aragorn ( Viggo Mortensen), and the hobbits spend much of the movie away from the action. Yet, while all this is going on, Sauron's troops mass toward the City of Gondor, for the War of the Ring is about to begin.With "Lord of the Rings: The Two Towers," it's clear that director Peter Jackson has tilted the balance decisively against the hobbits and in favor of the traditional action heroes of the Tolkien trilogy. And they must defend Rohan and attack Isengard. A number of new allies join with Aragorn, Gimli, Legolas, Pippin and Merry. For the little hope that is left, Frodo and Sam march on into Mordor, unprotected. Yet, the Fellowship is broken and Boromir is dead. Saruman's army of Uruk Hai is ready to launch an assault against Aragorn and the people of Rohan.
The Ringwraiths return in an even more frightening form.
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